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The Book of Five Rings
Cover of The Book of Five Rings
The Book of Five Rings
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Along with Sun Tzu's The Art of War, The Book of Five Rings is considered to be one of the most insightful texts on the subtle arts of confrontation and victory to emerge from Asia. Composed in 1643 by the famed duelist and undefeated samurai Miyamoto Musashi, The Book of Five Rings analyzes the process of struggle and mastery over conflict that underlies every level of human interaction. For Musashi, the way of the martial arts was a mastery of the mind rather than simply technical prowess—and it is this path to mastery that is the core teaching in The Book of Five Rings. This brilliant manifesto is written not only for martial artists but for anyone who wants to apply the timeless principles of this text to their life.
Along with Sun Tzu's The Art of War, The Book of Five Rings is considered to be one of the most insightful texts on the subtle arts of confrontation and victory to emerge from Asia. Composed in 1643 by the famed duelist and undefeated samurai Miyamoto Musashi, The Book of Five Rings analyzes the process of struggle and mastery over conflict that underlies every level of human interaction. For Musashi, the way of the martial arts was a mastery of the mind rather than simply technical prowess—and it is this path to mastery that is the core teaching in The Book of Five Rings. This brilliant manifesto is written not only for martial artists but for anyone who wants to apply the timeless principles of this text to their life.
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    From the Translator's Introduction

    The Book of Five Rings and The Book of Family Traditions on the Art of War are two of the most important texts on conflict and strategy emerging from the Japanese warrior culture. Originally written not only for men-at-arms, they are explicitly intended to symbolize processes of struggle and mastery in all concerns and walks of life.

    The Book of Five Rings was written in 1643 by Miyamoto Musashi, undefeated dueler, masterless samurai, and independent teacher. The Book of Family Traditions on the Art of War was written in 1632 by Yagyu Munenori, victorious warrior, mentor of the Shogun, and head of the Secret Service.

    Both authors were professional men-at-arms born into a long tradition of martial culture that had ultimately come to dominate the entire body of Japanese polity and society. Their writings are relevant not only to members of the ruling military caste, but also to leaders in other professions, as well as people in search of individual mastery in whatever their chosen path.

    The Book of Five Rings and The Book of Family Traditions on the Art of War are both written in Japanese, rather than the literary Chinese customary in elite bureaucratic, religious, and intellectual circles in Japan at that time. The Japanese in which they are written, furthermore, is relatively uncomplicated and quite free of the subtle complexities of classical high court Japanese. Although the crudity of Musashi's syntax and morphology make for clumsy reading, nevertheless the basic simplicity and deliberate clarity of both works make them accessible to a wide and varied audience.

    The rise and empowerment of the samurai class in Japan may be seen in the two terms used to refer to its members, samurai and bushi. The word samurai comes from the Japanese verb saburau, which means "to serve as an attendant." The word bushi is Sino-Japanese and means "armed gentry." The word samurai was used by other social classes, while the warriors referred to themselves by the more dignified term bushi.

    The original samurai were attendants of nobles. In time their functions expanded to the administration, policing, and defense of the vast estates of the nobles, who were mostly absentee landlords. Eventually the samurai demanded and won a greater share of the wealth and political power that the nobles had called their own. Ultimately the military paragovernment of the Shoguns, known as the Bakufu, or Tent Government, overshadowed the imperial organization and dominated the whole country.

    Musashi and Yagyu lived in the founding era of the third Tent Government, which lasted from the beginning of the seventeenth century through the middle of the nineteenth century. While inheriting the martial traditions of its predecessors, this third Tent Government differed notably in certain respects.

    The first Tent Government was established in eastern Japan near the end of the twelfth century and lasted for nearly one hundred and fifty years. The warriors of this time were descendants of noble houses, many of whom had honed their martial skills for generations in warfare against the Ainu people in eastern Japan. As the Tent Government was seated in Kamakura, a small town near modern Tokyo, this period of Japanese history is commonly called the Kamakura era.

    The second Tent Government supplanted the First in 1338. The warrior class had expanded and become more differentiated by this time, with lesser and thinner genealogical ties to the ancient aristocracy. The Shoguns of this period established their Tent Government in...

About the Author-
  • Miyamoto Musashi, who lived in Japan in the 1600s, was an undefeated dueler, a masterless samurai, and an independent teacher. He spent the last decades of his life refining and teaching his military science.
Reviews-
  • Publisher's Weekly

    November 26, 2012
    This graphic adaptation of Musashi’s 17th-centurytreatise on the martial arts makes careful, effective use of imagery to emphasize both the narrative and instructional aspects of the original text. Musashi’s work is divided into five books, which address each aspect of battle: “Earth,” “Fire,” “Water,” “Wind,” and “Emptiness.” That structure is retained here, with scripter Wilson and artist Kutsuwada finding terrific visual and dramatic hooks as background for Musashi’s alternately anecdotal and didactic text. Musashi takes a rational, pragmatic approach to his subject. In discussing his two-sword fighting style, he advocates practice, not mere reading. As a practical guide, the book has limited usefulness today, but Musashi’s lessons, in their focus on preparation and mindfulness, can easily be applied to most areas of life. The final chapter, “Emptiness,” is particularly intriguing, with its Zen-like call for awareness of what we do not know as a way to avoid detrimental confusion. Kutsuwada’s art is delicate and clean, balancing the physiological dynamics of swordplay with a clear-eyed appreciation of Musashi’s natural environment. An engaging, thoughtful update of what could be esoteric.

  • Library Journal "Embraced by many contemporary readers as a manual on how to succeed in life."
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  • Copyright Protection (DRM) required by the Publisher may be applied to this title to limit or prohibit printing or copying. File sharing or redistribution is prohibited. Your rights to access this material expire at the end of the lending period. Please see Important Notice about Copyrighted Materials for terms applicable to this content.

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